and more accurate insight into their construction by this means than by any amount of mere reading or playing them.
J. S. Bach. Wohltemperirtes Clavier, Fugue 34.
![\new ChoirStaff << \override Score.Rest #'style = #'classical \override Score.BarNumber.break-visibility = ##(#f #t #t) \set Score.barNumberVisibility = #all-bar-numbers-visible
\new Staff \relative e' { \key e \minor \time 2/2 \partial 4 \override TupletBracket.bracket-visibility = ##f
\[ \tuplet 3/2 { r8^"S" e fis } \bar "|"
g4-! a16 g fis g a4-! b16 a g a | b4-! g-! e-! c' ~ |
c b8. dis16 e4-! a, ~ | a g8. dis'16 e4-! fis, ~ |
\tuplet 3/2 4 { fis8[ g a] g[ fis e] \override TupletNumber #'stencil = ##f dis[ c' b] a[ g fis] |
g[ a b] a[ g fis] e[ \] e' d] cis[ b ais] |
b d fis } gis4-! \tuplet 3/2 { cis,8 e g } ais4-! |
\tuplet 3/2 { d,8 fis ais } b4 ~ \tuplet 3/2 4 { b8[ ais g] fis[ e dis] } |
\[ e2^"CS" d! cis b ais4 b cis2 ~ \] cis4 fis8. ais,16 b2 ~ |
\tuplet 3/2 { b8 g b } cis4 ~ \tuplet 3/2 { cis8 a c } dis4 ~ |
\tuplet 3/2 { dis8 b dis } e4 ~ e2 ~ |
\tuplet 3/2 { e8 dis e } fis4 ~ \tuplet 3/2 4 { fis8[ e d] cis[ dis e] } }
\new Staff \relative b { \clef alto \key e \minor \override TupletBracket.bracket-visibility = ##f
r4 | R1*5 | r2 r4 \[ \tuplet 3/2 { r8 b^"A" cis } | \override TupletNumber #'stencil = ##f
d4-! e16 d cis d e4-! fis16 e d e | fis4-! d-! b-! g ~ |
g fis8. ais16 b4 e, ~ | e d8. ais'16 b4 cis, ~ |
\tuplet 3/2 4 { cis8[ d e] d[ cis b] ais[ g' fis] e[ d cis] |
d[ e fis] e[ d cis] \] b[ a'! g] fis[ e dis] }
e2 fis | g \tuplet 3/2 4 { gis8[ d'! c] b[ a g] } | \[ a2^"CS" g! }
\new Staff \relative e { \clef bass \key e \minor \override TupletBracket.bracket-visibility = ##f
r4 | R1*11 | r2 r4 \[ \tuplet 3/2 { r8 e^"S" fis } |
g4-! a16 g fis g a4-! b16 a g a | b4-! g-! e-! c' ~ |
c b8. dis16 e4 a, ~ } >>](http://upload.wikimedia.org/score/d/y/dyha705wm0410mm1e2e0m117gh4m2un/dyha705w.png)
