Haydn. 1st Mass.
We have here a subject taking a tonal answer; the second subject (which corresponds to the countersubject of a simple
![\new ChoirStaff << \override Score.Rest #'style = #'classical \override Score.BarNumber.break-visibility = ##(#f #t #t) \set Score.barNumberVisibility = #all-bar-numbers-visible
\new Staff \relative f'' { \key bes \major \time 4/4
f2^"S1." d4 bes8 bes | g a bes c16 d ees2 |
d4 f8 ees16 d c4. c8 | d4 c bes8 c d e | f4 r r2 | R1*4
f2^"S1." d4 bes8 bes | g a bes c16 d ees2 | d c | bes4 s }
\new Staff \relative a' { \key bes \major \clef alto
R1*2 bes2^"A1." a4 f8 f | d e f g16 a bes2 |
a8^"S2." f g a bes c d c16 d | ees4 d4. g,8 c4 ~ |
c bes r8^"A2 (varied)." f g a | bes4 a2 g8 f |
e4 f2 e4 | f r r2 | r4 bes2 a4 ~ | a g2 fis4 | g2 }
\new Staff \relative f { \clef tenor \key bes \major
r8^"S2." f g a bes c d c16 d | ees4 d c2 | bes4 r r2 | R1
f'2^"S1." d4 bes8 bes | g a bes c16 d ees2 ~ |
ees4 d c a | f8 g a bes16 c d2 | c bes |
a8^"S2." a bes c d ees! f ees16 f |
g4 f ees r8 c | d f r bes, c ees r a, | bes s s4^"&c." }
\new Staff \relative b, { \clef bass \key bes \major
R1*2 r8^"A2." bes d ees f g a g16 a | bes4 a g2 | f4 r r2 R1 |
bes2^"A1." a4 f8 f d e f g16 a bes2 ~ | bes4 a g2 |
f8 f,[^"S2." g a] bes[ c] d[ c16 d] |
ees4 d c f | bes, r8 ees a,4 d | g,8 s s4 } >>](http://upload.wikimedia.org/score/a/u/au8utigg1lf01ulzsbcbb3u66ielant/au8utigg.png)
