238
Fugue.
[Chap. XIII.
It looks at first sight as if this were a double fugue; that it is not so in reality is shown by the fact that the second subject, announced at first in the tenor, is only occasionally introduced in the remainder of the fugue, and does not even accompany all the entries in the exposition.
441. At other times we find an orchestral counterpoint which is quite independent of the voice parts.
