Page:Fugue by Ebenezer Prout.djvu/56

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38
Fugue.
[Chap. III.

cases even more frequently than in the works of Bach. We give five examples—

Handel. 'Theodora.

 \new ChoirStaff <<
  \new Staff \relative b' { \key bes \major \time 3/4 \mark \markup \tiny { ( \italic a ) }
    bes2.^\markup \bold "S" | f2 d4 | ees c2 | bes2. }
  \new Staff \relative f' { \clef tenor \key bes \major
    f2.^\markup \bold "A" | c2 a4 | bes g2 | f2. } >>

Handel. 'Israel in Egypt.

 \new ChoirStaff <<
  \new Staff \relative a, { \clef bass \key a \minor \time 2/2 \mark \markup \tiny { ( \italic b ) }
    a2^\markup \bold "S" a | e'4 c d e |
    f e d c | d2 e | a, }
  \new Staff \relative e { \clef tenor \key a \minor
    e2^\markup \bold "A" e | b'4 g a b |
    c b a g | a2 b | e, } >>

Handel. 9th Organ Concerto.

 \new ChoirStaff <<
  \new Staff \relative b' { \key bes \major \time 3/4 \mark \markup \tiny { ( \italic c ) }
    bes4^\markup \bold "S" d f | bes8 f4 d bes8 |
    bes'16 a g f g8 bes f bes | f ees16 d ees4\trill d | c8 }
  \new Staff \relative f' { \key bes \major
    f4^\markup \bold "A" a c | f8 c4 a f8 |
    f'16 e d c d8 f c f | c bes16 a bes4\trill a | g8 } >>

Handel. 1st Grand Concerto.

 \new ChoirStaff <<
  \new Staff \relative g'' { \key g \major \time 4/4 \mark \markup \tiny { ( \italic d ) }
    g4^\markup \bold "S" d b4. c16 d | e8 e e fis16 e d4_"&c." }
  \new Staff \relative d'' { \key g \major
    d4^\markup \bold "A" a fis4. g16 a | b8 b b cis16 b a4 } >>

Handel. 'Tolomeo.

 \new ChoirStaff <<
  \new Staff \relative f' { \key f \major \time 4/4 \partial 8*5 \mark \markup \tiny { ( \italic e ) }
    f8^\markup \bold "S" a f c' f, | f' f, c' f, a f c' f, | f' f, f' c_"&c." }
  \new Staff \relative c' { \key f \major
    c8^\markup \bold "A" e c g' c, | c' c, g' c, e c g' c, | c' c, c' g } >>

96. In the following answer we see that J. Christian Bach, the youngest son of the great John Sebastian, adopted the same plan as his father—

J. Christian Bach.

 \new ChoirStaff <<
  \new Staff \relative c { \clef bass \key c \minor \time 2/2
    c4^\markup \bold "S" ees g r8 c, |
    aes' aes aes g16 f g8 c, c'4 ~ | c b c8 }
  \new Staff \relative g' { \key c \minor
    g4^\markup \bold "A" bes d r8 g, |
    ees' ees ees d16 c d8 g, g'4 ~ | g fis g8 } >>