stories, however tragic they may set out to be. In “The Son of His Mother,” Thyra is a stern woman, as “immovable as a stone image.” She had only one son, whom she worshipped; “she never wanted a daughter, but she pitied and despised all sonless women.” She demanded absolute obedience from Chester — not only obedience, but also utter affection, and she hated his dog because the boy loved him: “She could not share her love even with a dumb brute.” When Chester falls in love, she is relentless toward the beautiful young girl and forces Chester to give her up. But a terrible sorrow brings the old woman and the young girl into sympathy, and unspeakable joy is born of the trial.
Happiness also comes to “The Brother who Failed.” The Monroes had all been successful in the eyes of the world except Robert: one is a millionaire, another a college president, another a famous singer. Robert overhears the old aunt, Isabel, call him a total failure, but, at the family dinner, one after another stands up and tells how Robert’s quiet influence and unselfish aid had started them in their brilliant careers, and the old aunt, wiping the tears from her eyes, exclaims: “I guess there’s a kind of failure that’s the best success.”
In one story there is an element of the supernatural, when Hester, the hard older sister, comes between Margaret and her lover and, dying, makes
