Page:Gems of Chinese literature (1922).djvu/184

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162
GEMS OF CHINESE LITERATURE

singing songs on the hill-side; naught seen but the startled bird rising, the affrighted beast scampering from their presence, as they pass to and fro and pour forth their plaintive lays. Such is thy solitude now. A thousand, ten thousand years hence, the fox and the badger will burrow into thy tomb, and the weasel make its nest within. For this also has ever been the lot of the wise and good. Do not their graves, scattered on every side, bear ample witness of this?

Alas! Man-ch‘ing, I know full well that all things are overtaken, sooner or later, by decay. But musing over days by-gone, my heart grows sad; and standing thus near to thy departed spirit, my tears flow afresh, and I blush for the heartlessness of God. O Man-ch‘ing, rest in peace![1]


  1. At the great spring festival, when every one tries to get away to visit his ancestral burying ground and there perform those harmless rites which time and custom have hallowed, it is not unusual for literary men to indite some such address as the above, and burn it at the grave of the deceased as a means of communication with the spiritual world. Of this most sacred anniversary, Carlyle has well said, “He (the Emperor) and his three hundred millions visit yearly the Tombs of their Fathers; each man the Tomb of his Father and his Mother; alone there, in silence, with what of worship or of other thought there may be, pauses solemnly each man; the divine Skies all silent over him; the divine Graves, and this divinest Grave, all silent under him; the pulsings of his own soul, if he have any soul, alone audible. Truly it may be a kind of worship! Truly if a man cannot get some glimpse into the Eternities, looking through this portal,―through what other need he try it?”