GENIUS AND OTHER ESSAYS
religion, his mission, and the way revealed to him. To say that he had faith is to say also that he believed in himself; for his ecstatic piety and reverence and his most glorious visions were the unconscious effluence of his own nature. And that a poet or an artist should have faith is most vital and essential. He cannot be a mere agnostic. The leaders have had various beliefs, but each has held fast to his own. Take the lowest grade of Shakespeare's convictions: he believed in royalty and the divine right of kings. His kings, then, are chiefs indeed, hedged with divinity, and speaking in the kingliest diction of any language or time. If I were asked to name the most grievous thing in modern art, I should say it is the lack of some kind of faith. Doubt, distrust, the question, "What is the use?" make dim the canvas and burden many a lyre. The new faith looks to science and reign of law. Very well: these must breed its inspiration, as in time they will. But the processes of reason are slower than the childlike instincts of an early and poetic age.
Blake had the true gift of expression; he was not merely learned, but inventive, in his methods of drawing, etching, and color. Here, and in his talks concerning art, he showed power and wisdom enough to equip a host of ordinary draughtsmen. He was mad, only in the sense that gave the Clown warrant for saying all Englishmen are mad; only when he left the field in which he was thoroughly grounded, for speculations in which he was self-trained and half-trained. It is useless, however, to wonder what such an one
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