GENIUS AND OTHER ESSAYS
"Our Village" in the whole series of Miss Mitford's classic sketches.
Mr. Dobson escapes the restrictions of many writers of elegant verse by his refreshing variety. In his lightest work he is a fine poet at play; not a weakling, with one pretty gift, doing the best thing in his power. He is entitled to the credit, whatever that may be, of having been among the first to really bring into fashion the present use of old French stanzaic and rhythmic forms. In view of the speed wherewith these have been adopted and played upon by poets and parodists without number, I am not sure whether to thank him or to condole with him. We must acknowledge that English poetry, like the language, is eclectic, deriving its riches from many sources. Its lyrical score, which long has been too monotonous, doubtless will gain something from the revival of these continental forms. Only those suited to the genius of our song will come into permanent use. If any readers are as yet unacquainted with the nature and varieties of these old-new forms, they can find the best exposition of them in Mr. Edmund Gosse's "Plea for Certain Exotic Forms of Verse."[1] The specimens of the Rondel, the Rondeau, the Triolet, the Villanelle, the Ballade, the Chant Royal, which he cites from the works of Swinburne, Lang, Dobson, and those of his own sweet and learned muse, are excellently done. Nearer home, we have Mr. Matthews's analysis[2] of Mr. Dobson's experiments in all these forms of verse,
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