GENIUS AND OTHER ESSAYS
methods in his own being, and discerning what is in harmony therewith. So far as he discerns this, he has taste; so far as he can utilize it in forming new and ideal structures, he is a creative artist.
The modern effort errs, in its false assumption of freedom, whenever a workman is encouraged to make rules limited to his own capacity. A sane and noble "impressionism" is that which reveals to us the individuality, the distinctive genius of an artist; it is his personal nimbus illuminating his work, but the work must express what is scientifically defensible, or it will be wrong and not enduring. One may wear blue glasses, but that does not make the world blue. Nevertheless, standards of fitness vary, justly, according to varying conditions of region, material, race, etc., beauty being always dependent on these conditions. An edifice like the Parthenon, whose proportions are exquisite, because exactly fitted to their special locality in this special world, would be absurd and unlovely, if not impossible, on another planet. A race inhabiting the latter would find beauty only in a structure subordinated to the conditions of weight, material, color, climate, there existing. Such observers, like the structure, would be part of the distinct local system, and their mental and spiritual nature would not be out of correlation.
Inferior race types have a beauty of their own. This, with its rules and standards, the superior race comprehends and admits for what it is worth. Criticism, therefore, is inclusive. Only a narrow and superficial zealot promulgates restrictive dogmas—such, for
[44]
