GENIUS AND OTHER ESSAYS
Yorkish lover to his Lancastrian mistress? The twin stanzas have become a jewel upon the "stretched forefinger of all time." James Somerville laid violent hands upon them, early in the last century, remodelled them, and added three verses of his own, each weaker than the predecessor. It has been the fate of many pretty wanderers to be thus kidnapped and rechristened, and sometimes, fortunately, by nobler craft than Somerville's, to be changed to something truly rich and rare. As when John Milton based "Il Penseroso" upon the verses "In Praise of Melancholy," commencing—
Hence, all ye vain delights!
and ending
Here stretch our bones in a still, gloomy valley,
Nothing's so dainty sweet as lonely melancholy.
These have been claimed for Fletcher, since he inserted them in his play of "The Nice Valour," but possibly were composed by Dr. William Strode, who flourished in the first half of the seventeenth century. Dr. Strode is also thought to have written a lyric often quoted as Dryden's, "The Commendation of Music," which contains some delicate lines:
Oh, lull me, lull me, charming air,
My senses rocked with wonder sweet!
Like snow on wool thy fallings are,
Soft like a spirit are thy feet.
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