A BELT OF ASTEROIDS
Empire. After all, they are not quite the thing, and the French Minister of War is advertising for a worthy national hymn. He will scarcely obtain it from a leading poet. Mr. Grant White has told us how national hymns are written and not written, and it is a fact that nearly all which have not grown among the people, have resulted from the glow of patriotism in the hearts of citizen-laymen, with whom love of country was a compelling inspiration.
The "Marseillaise" is a preëminent example of a single lyrical outburst from the soul of an unprofessional poet. It is the real battle-hymn of an oppressed France, and in her struggles for liberty will never be supplanted by any manufactured successor. After a long suppression, it was again made the national song when Louis Philippe gained the throne by the revolution of 1830; but when the Citizen-King forgot his citizenship, he, too, was compelled to flee before its chorus. It is the most historical and dramatic of lyrics. The one flight which Rouget-de-Lisle took was that of an eagle, soaring to the empyrean, and disdaining a lower reach. When a soldier invades the province of the poet, composes such a song at a single heat, and, like the bards of old, summons from his harp the music that shall match them, it is not safe to deny anything to the inspiration of mere amateurs. The man's whole life was crowded into that night at Strasbourg, and with it all the frenzy and devotion of a bleeding land.
Both our American national poems are the compositions of lawyers, who are known for little else which
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