own views, due, probably, much more to the action of her own mind upon the novel ideas suggested than to the lucidity of a system of social science as yet undetermined in some of its main points.
She writes, when looking back on this period from a long distance of time,—
After the despairs of my youth, I was governed by too many illusions. Morbid scepticism was succeeded in me by too much kindliness and ingenuousness. A thousand times over I was duped by dreams of an archangelic fusion of the opposing forces in the great strife of ideas.
Her novel Horace, written for the Revue des Deux Mondes, was rejected—as subversive of law and order—by the editor, except on condition of alterations which she declined to make.
After this temporary rupture with Buloz, Madame Sand's services were largely appropriated by the Revue Indépendante, a new journal, founded in 1840 by her friends Pierre Leroux and Louis Viardot, in conjunction with whose names hers appears on the title page as leading contributor. For this periodical no theories could be too advanced, no fictitious illustrations too audacious, and to its pages accordingly was Horace transferred. Among the secondary characters in this novel figure a young couple, immaculate otherwise in principle and in conduct, but who as converts to St. Simonism have dispensed with the ordinary legal sanction to their union. Perhaps a more solid objection to its insertion in the Revue des Deux Mondes was the picture introduced of the émeute of June 1832, painted in heroic
