ciated with identity of outward interests or even of cares and family affections, such as, in the case of husband and wife, make self-sacrifice possible under conditions which might otherwise be felt unbearable, and help to tide over crises of impatience or wrong. Madame Sand's children were now grown up; cross-influences could not but arise, hard to conciliate. Without accrediting Chopin with the self-aborption of Prince Karol, it is easy to see here, in a situation somewhat anomalous, elements of probable discord. It was impossible that he should any longer be a first consideration; impossible that he should not resent it.
For some years his state of health had been getting worse and worse, and his nervous susceptibilities correspondingly intensified. Madame Sand betrayed some impatience at last of what she had long borne uncomplainingly, and their good understanding was broken. As was natural, the breach was the more severely felt by Chopin; but that it was of an irreparable nature, one is at liberty to doubt. He bitterly regretted what he had lost, for which not all the attentions showered on him by his well-wishers could afford compensation, as his letters attest.
But outward circumstances prolonged the estrangement till it was too late. They met but once after the quarrel, and that was in company in March 1848. Madame Sand would at once have made some approach, but Chopin did not then respond to the appeal; and
