men to be ready not only with loyalty and devotion, but with fanaticism if needed. She worked hard with her son and her local allies at the ungrateful task of revolutionising Le Berry, which, she sighs, "is very drowsy." In March she came up to Paris and placed her services as journalist and partizan generally at the disposal of Ledru-Rollin, Minister of the Interior under the new Government. "Here am I already doing the work of a statesman," she writes from Paris to her son at Nohant, March 24. Her indefatigable energy, enabling her as it did to disdain repose, was perhaps the object of envy to the statesmen themselves. At their disgust when kept up all night by the official duties of their posts, she laughs without mercy. Night and day her pen was occupied, now drawing up circulars for the administration, now lecturing the people in political pamphlets addressed to them. To the Bulletin de la République, a Government journal started with the laudable purpose of preserving a clear understanding between the mass of the people in the provinces and the central government, she became a leading contributor. For the festal invitation performances given to the people at the "Théâtre de la République," where Rachel sang the Marseillaise and acted in Les Horaces, Madame Sand wrote a little "occasional" prologue, Le Roi Attend, a new and democratic version of Molière's Impromptu de Versailles. The outline is as follows:—Molière is discovered impatient and
