and magnanimous. He forgave you admirably for wrongs you had never done him, and it was as good and real as though the pardon had been actual and well-founded, so strong was his imagination, so complete his good faith."
The assistance of Madame Dorval, added to the strength of the Comédie Française company, did not however save from failure Madame Sand's first drama, Cosima, produced, as will be remembered, in 1840. She allowed nearly a decade to elapse before again seriously competing for theatrical honours, by a second effort in a different style, and more satisfactory in its results.
This, a dramatic adaptation by herself of her novel, François le Champi, was produced at the Odéon in the winter of 1849. Generally speaking, to make a good play out of a good novel, the playwright must begin by murdering the novel; and here, as in all George Sand's dramatic versions of her romances, we seem to miss the best part of the original. However, the curious simplicity of the piece, the rustic scenes and personages, here faithfully copied from reality, unlike the conventional village and villager of opera comique, and the pleasing sentiment that runs through the tale, were found refreshing by audiences upon whom the sensational incidents and harrowing emotions of their modern drama were already beginning to pall. The result was a little stage triumph for Madame Sand.
