friends in June 1857. In studying the interesting and secluded village of Gargilesse, with its tenth-century church and crypt with ancient frescoes, its simple and independent-minded population, in following the course of a river whose natural wild beauties, equal to those of the Wye, are as yet undisfigured here by railroad or the hand of man, lingering on its banks full of summer flowers and butterflies, exploring the castles of Châteaubrun and La Prugne au Pot, George Sand is happier, more herself, more communicative than in Rome, "the museum of the universe."
The years 1858 to 1861 show her to us in the fullest conservation of her powers and in the heyday of activity. The group of novels belonging to this period, the climax of what may be called her second career, is sufficiently remarkable for a novelist who was almost a sexagenarian, including Elle et Lui, L'Homme de Neige, La Ville Noire, Constance Verrier, Le Marquis de Villemer, and Valvèdre. Elle et Lui, in which George Sand at last broke silence in her own defence on the subject of her rupture with Alfred de Musset, first appeared in the Revue des Deux Mondes, 1859. Though many of the details are fictitious, the author here told the history of her relations with the deceased poet much too powerfully for her intention to be mistaken or to escape severe blame. That a magnanimous silence would have been the nobler course on her part towards the child of genius whose good genius she had so signally failed to
