berant motion. The sets had broken up, and the dancers shot around jumping and gliding : the quadrille was ending with a galop. The couples flew past Tonio Kroger to the furious beat of the music, chasseing, hurrying, overtaking each other, with quick, breathless laughter. One couple came along, carried away by the universal race, whirling and whizzing forward. The girl had a delicate, pale face and lean, very high shoulders. And suddenly, close before him, there was a stumbling, sliding, and falling … The pale girl fell down. She fell so heavily and violently that it almost looked dangerous, and her cavalier fell with her. The latter must have hurt himself so painfully that he forgot his partner altogether, for he began amid grimaces to rub his knees with his hands, without getting off the floor ; and the girl, seemingly quite stunned by the fall, still lay on the floor. Now Tonio Kröger stepped forward, grasped her gently by the arms, and lifted her up. Exhausted, confused, and unhappy, she looked up at him, and suddenly her delicate face was suffused with a faint flush.
"Tak! O, mange Tak!" (Thanks, Oh, many thanks), she said, and looked up at him with dark, swimming eyes.
"You should not dance any more," he said gently. Then he looked around at them once more, at Hans and Ingeborg, and went out, leaving the verandah and the dance, and going up to his room.
He was intoxicated by the festivities in which he had had no part, and weary with jealousy. It had been like long ago, just like long ago. With heated face he had stood in a dark spot, full of grief on your account, ye blond ones, happy and full of life, and then had gone away lonely. Some one ought to come now. Ingeborg ought to come now, ought to notice that he was gone, follow him secretly, lay her hand on his shoulder and say: Come in and join us. Be happy! I love you … But she came not at all. Such things did not happen. Yes, it was just like those days, and he was happy as in those days. For his heart