the poet couches the difficulties of an ardent lover in attaining the object of his passion, under the allegory of a rose, which is gathered in a delicious but almost inaccessible garden. The theologists proved this rose to be the white rose of Jericho, the new Jerusalem, a state of grace, divine wisdom, the holy Virgin, or eternal beatitude, at none of which obstinate heretics can ever arrive. The chemists pretended, that it was the philosopher's stone; the civilians, that it was the most consummate point of equitable decision; and the physicians, that it was the infallible panacea. In a word, other professions, in the most elaborate commentaries, explained away the lover's rose into the mysteries of their own respective science. In conformity to this practice, Tasso allegorized his own poem; and a flimsy structure of morality was raised on the chimerical conceptions of Ariosto's