and I would gladly die to see your blood flow. Look, it's flowing down your face; it's dripping from your hand, and there shall be more dripping soon! On guard!"
He suddenly attacked with a fierce energy, forcing Fournel back upon the wall. He was not a first-class swordsman, but he had far more knowledge of the weapon than his opponent, and he had no scruple about using his knowledge. Fournel fought with desperate alertness, yet awkwardly, and he could not attack; it was all that he could do, all that he knew how to do, to defend himself. Twice again did the Seigneur's weapon draw blood, once from the shoulder and once from the leg of his opponent, and the blood was flowing from each wound. After the second injury they stood panting for a moment. Now the outside world was shut out from Fournel's senses, as it was from Louis Racine's. The only world they knew was this cool room, whose oak floors were browned by the slow searching stains of Time, and darkened by the footsteps of six generations that had come and gone through the old house. The books along the walls seemed to cry out against the unseemly and unholy strife. But now both men were in that atmosphere of supreme egoism where only their two selves moved, and where the only thing that mattered on earth was the issue of this strife. Fournel could only think of how to save his life, and to do that he must become the aggressor, for his wounds were bleeding hard, and he must have more wounds, if the fight went on without harm to the Seigneur.
"You know now what it is to insult a Frenchman. On guard!" again cried the Seigneur in a shriller voice, for everything in him was pitched to the highest note.
He again attacked, and the sound of the large swords
