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Giulietta.


It was early in a spring evening when the Aldobrandini arrived at their uncle's dwelling. It was an old and heavy-looking building. Constanza and Bianca, as the massy gate swung behind them, on their arrival in the dark, arched court, simply remarked that they were afraid it would be very dull: but Giulietta's imagination was powerfully impressed; a vague terror filled her mind, which the gloom of the huge and still chambers through which they were ushered did not tend to decrease. At length, they paused in a large vaulted room, while the aged domestic went on, to announce them to the cardinal. Giulietta glanced around; the purple hangings were nearly black with age, so was the furniture, while the narrow windows admitted shadows rather than light. Some portraits hung on the walls, all dignitaries of the church; but the colour of their scarlet robes had faded with time, and each wan and harsh face seemed to turn frowning on the youthful strangers. A door opened, and they were ushered into the presence of their uncle. He was standing by a table, on which was a crucifix and an open breviary, while a volume of the life of St. Chrysostom lay open on the floor. A window of stained glass was half screened by a heavy curtain, and the dark panels of carved oak added to the gloom of the oratory. The sisters knelt before him, while gravely and calmly he pronounced over them a welcome and a blessing. Constanza and Bianca received them gracefully and meekly, but Giulietta's heart was too full;