124 WORKMEN AND HEROES The poor and youthful sacristan of Haarlem was in love. He used to walk on holydays to the spring outside the town, and sit under the willows by the canals, to indulge in his day-dreams. His heart full of the image of his bride, he used to amuse himself, in true lover's fashion, by engraving with his knife the initials of his mistress and himself, interlaced, as an emblem of the union of their hearts and of their interwoven destinies. But, instead of cutting these ciphers on the bark, and leaving them to grow with the tree, like the mysterious ciphers so often seen on the trees in the forests and by the brooks, he engraved them on little blocks of willow stripped of their bark, and still reeking with the moisture of their sap ; and he used to carry them, as a remembrance of his dreams and a pledge of affection, to his lady-love. One day, having thus cut some letters on the green wood, probably with more care and perfection than usual, he wrapped up his little work in a piece of parchment, and brought it with him to Haarlem. On opening it next day to look at his letters, he was astonished to see the cipher perfectly reproduced in brown on the parchment by the relieved portion of the letters, the sap having oozed out during the night and imprinted its image on the envelope. This was a discovery. He engraved other letters on a large platter, replaced the sap by a black liquid, and thus obtained the first proof ever printed. But it would only print a single page. The movable variety and endless combinations of char- acters infinitely multiplied, to meet the vast requirements of literature, were wanting. The invention of the poor sacristan would have covered the surface of the earth with plates engraved or sculptured in relief, but would not have been a substitute for a single case of movable type. Nevertheless, the principle of the art was developed in the sacristy of Haarlem, and we might hesitate whether to attribute the honor of it to Koster or Gutenberg, if its invention had not been with one the mere accidental discovery of love and chance, and, in the other, the well-earned victory of patience and genius. At the sight of this coarse plank, the lightning from heaven flashed before the eyes of Gutenberg. He looked at the plank, and, in his imagination, ana- lyzed it, decomposed it, put it together again, changed it, divided it, readjusted it, reversed it, smeared it with ink, placed the parchment on it,, and pressed it with a screw. The sacristan, wondering at his long silence, was unwittingly aresent at this development of an idea, over which his visitor had brooded in vain for the last ten years. When Gutenberg retired, he carried a new art with him. On the morrow, like a man who possesses a treasure, and knows neither rest nor sleep until he has hidden it safely, Gutenberg left Haarlem, hastened up the Rhine until he reached Strasburg, shut himself up in his work-room, fashioned his own tools, tried, broke, planned, rejected, returned to his plans, and again rejected them, only to return to them again ; and ended by secretly executing a fortunate proof upon parchment with movable wooden types, bored through the side with a small hole, strung together and kept close by a thread, like square beads on a chaplet, each with a letter of the alphabet cut in relief on
