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In the churchyard of Christ's Church, in the town bearing his name, in the State of New York, rests all that is mortal of James Fenimore Cooper. It is now more than two score of years since he died. The spot is marked by a simple slab of marble. In the public cemetery of Cooperstown stands a noble monument to Leather Stocking. It is crowned with a figure of this immortal character. The personality of Cooper himself must, like the human body, gradually fade away; but certain personalities which he brought into literature are lasting. Cooper the man dies; Cooper the novelist lives.
Cooper the man and Cooper the author are singularly united and yet singularly distinct. His boyhood was spent in scenes which figure in his novels, and certain of the novels seem in certain respects to be only the projection of early experiences through which he passed or of which he constantly heard. Yet there are many qualities manifest in his writings which do not seem to belong to his personality and many elements exhibited in his personality which are not suggested by his stories.
Born in Burlington, N. J., September 15, 1789, he was taken, at the age of about a year, to that part of the State of New York which has since become lastingly associated with his life and work. His early home was one of a considerable degree of affluence. His father, near the close of the Revolution, had become possessed of large tracts of land about the sources of the Susquehanna, and on the borders of the endless forests of Central New York the Cooper family established a home. In this wilderness James Fenimore Cooper spent his boyhood. This settlement was not unlike the ordinary new settlements which are, at various stages of their history, found in many of the States of the American Union. It was picturesque in the richness and diversity of the gifts of nature. Game abounded in water and wood. The years he here lived deeply affected his character and influenced his career. It is reported that in later life he said "he might have chosen for his subject happier periods, more interesting events, and possibly more beauteous scenes, but he could not have taken any that would lie so close
- ↑ Copyright, 1894, by Selmar Hess.
