beyond the general form, and to the west a rock-cut flight of steps descended to the bottom. "The whole of this area had been filled up with the courses of the foundation, consisting of slabs of a coarse green stone, strongly bound together with iron cramps, and generally about 4 feet square by i foot thick. In some places as many as three courses of those foundation slabs remained." (Fig. 30.) A still better account of the great foundation is given by Lieutenant Smith in a Government paper describing the excavations. "The cavity appeared like a bed cut out to receive the foundations. The whole of this quadrangle is cut out of the rock to depths varying from 2 to 16 feet below the surface. Where the rock has failed at the sides the line of cutting is continued as a wall. Throughout the area the rock is cut in beds or levels at different depths, caused by the irregularity of the ground." The site seems to have been originally a quarry. This accounts for the irregularities of depth and the extensions beyond the square.
Besides this immensely strong basis, fragments of marble columns and entablature were found sufficient to give data for a complete restoration of an "order," also many fine sculptures, including friezes, and a quantity of wide step-like stones suitable for roofing. The sculptures and architectural fragments are now exhibited in the Mausoleum Room of the British Museum. The description of the Mausoleum given by Pliny also furnishes important data. It is to this effect:—It was 63 feet on the north and south sides, and shorter on the front. Its entire circuit was 411 (or 440) feet, and the height [of this part?] was 25 cubits (37½ feet), around the pteron (peristyle) were 36 columns. Four famous artists wrought the sculptures on the several fronts. A pyramid equal to the lower part in height surmounted the pteron, diminishing in 24 steps to a meta (generally a steep cone or pyramid). On the summit was a marble chariot the work of Fythis (Pythios, the architect), the total height being 140 feet.
Falkener, in an article in the "Museum of Classical Art," brought together one or two other notices. Lucian says: "Nothing is equal to it either in size or beauty. It is enriched with the most perfect works of art, with statues of men and horses of costly marble, such as can hardly be found in temples, so that it
