now left of Rima!—kissing each white fragment as I lifted it, and gathering them all in my old frayed cloak, spread out to receive them. And when I had recovered them all, even to the smallest, I took my treasure home.
Another storm had shaken my soul, and had been succeeded by a second calm, which was more complete and promised to be more enduring than the first. But it was no lethargic calm; my brain was more active than ever; and by-and-by it found a work for my hands to do, of such a character as to distinguish me from all other forest hermits, fugitives from their fellows, in that savage land. The calcined bones I had rescued were kept in one of the big, rudely shaped, half-burnt earthen jars, which Nuflo had used for storing grain and other food-stuff. It was of a wood-ash colour; and after I had given up my search for the peculiar fine clay he had used in its manufacture—for it had been in my mind to make a more shapely funeral urn myself—I set to work to ornament its surface. A portion of each day was given to this artistic labour; and when the surface was covered with a pattern of thorny stems, and a trailing creeper with curving leaf and twining tendril, and pendent bud and blossom, I gave it colour. Purples and black only were used, obtained from the juices of some deeply coloured berries; and when a tint, or shade, or line failed to satisfy me I erased it, to do it again; and this so often that I never completed my work. I might, in the proudly modest spirit of the old sculptors, have inscribed on the vase the words, Abel was doing this. For was not my ideal beautiful like theirs, and the best that my art could do only an imperfect copy—a
