system by which the parts for representation were distributed among the members of the chamber, and the time had also come for the separation of the educational from the artistic functions of the chambers. The time was past for giving instruction in theology and science through the medium of plays. Rodenburg continued the tradition, but Brederoo scoffed at philosophising ostlers and servant-girls. The result of the dissension was a schism led by Coster, under whom the more brilliant and learned members swarmed off and founded the famous "Coster's Academy," whose blazon was a beehive and motto Yver. The intention of the founders was to separate and yet retain both the functions of the older chambers. The Academy was to be a college and a theatre—an "Extension College" giving instruction in the vernacular, whereas the universities allowed only the use of Latin—and a theatre for the production of plays composed in accordance with the "rules" of Aristotle and Horace.
In the first of their purposes—
"de burgery te stichten
En met de fackel van de duytsche taal te lichten"—
they were defeated by the jealousy of the clergy, and the fact was not forgotten by the dramatists. The Coster's
Academy. years immediately following the opening of the Academy were years of great dramatic activity. Coster's Polyxena, Hooft's Warenar, and Brederoo's Spaensche Brabander were all Academy plays, and war was waged not only with Rodenburg but with the clergy. But in 1620 the strife ended.
