Let not the royal bed of Denmark be
A couch for luxury[b 1] and damned incest.
But, howsoever thou pursuest this act,
Taint not thy mind, nor let thy soul contrive 85
Against thy mother aught; leave her to heaven,
And to those thorns that in her bosom lodge,
To prick and sting her. Fare thee well at once!
The glow-worm shows the matin to be near,
And 'gins to pale his uneffectual[b 2] fire; 90
Adieu, adieu, adieu![a 1] remember me. [Exit.
Ham. O all you host of heaven! O earth! what else?
And shall I couple hell? Oh, fie![b 3] Hold, hold,[a 2] my heart;
And you, my sinews, grow not instant old,
But bear me stiffly[a 3] up. Remember thee?[a 4] 95
Ay, thou poor ghost, while[a 5] memory holds a seat
In this distracted globe.[b 4] Remember thee?
Yea, from the table[b 5] of my memory
I'll wipe away all trivial fond[b 6] records,[b 7]
All saws[b 8] of books, all forms, all pressures[b 9] past, 100
- ↑ 83. luxury] Dyce (Gloss.): lasciviousness, its only sense in Shakespeare.
- ↑ 90. uneffectual] Warburton (approved by Dyce) explains: "shining without heat." Steevens, "lost in the morning light." See Pericles, II, iii. 43.
- ↑ 93. Oh, fie] Capell, Steevens, Mitford, Dyce regard these words as probably an interpolation.
- ↑ 97. globe] Hamlet's hand is upon his forehead.
- ↑ 98. table] tablet, as in Two Gentlemen of Verona, II, vii. 3. In Massinger, The Emperor of the East, IV. v., we find "Writ in the table of my memory."
- ↑ 99. fond] foolish.
- ↑ 99. records] The accent in Shakespeare is variable, on the first, or (as probably here) on the second syllable.
- ↑ 100. saws] maxims, as in As You Like It, II. vii. 156.
- ↑ 100. pressures] impressions. See III. ii. 29. Elsewhere Shakespeare uses impressure in the same sense.