statuettes, some of them bronzed, which he was re-arranging before proceeding with them on his way. They were in the main reduced copies of ancient marbles, and comprised divinities of a very different character from those the girl was accustomed to see portrayed, among them being a Venus of standard pattern, a Diana, and, of the other sex, Apollo, Bacchus, and Mars. Though the figures were many yards away from her, the southwest sun brought them out so brilliantly against the green herbage that she could discern their contours with luminous distinctness; and being almost in a line between herself and the church towers of the city, they awoke in her an oddly foreign and contrasting set of ideas by comparison. The man rose, and, seeing her, politely took off his cap, and cried, "I i-i-mages!" in an accent that agreed with his appearance. In a moment he dexterously lifted upon his knee the great board with its assembled notabilities, divine and human, and raised it to the top of his head, bringing them on to her, and resting the board on the stile. First he offered her his smaller wares—the busts of kings and queens, then a minstrel, then a winged Cupid. She shook her head.
"How much are these two?" she said, touching with her finger the Venus and the Apollo———the largest figures on the tray.
He said she should have them for ten shillings.
"I cannot afford that," said Sue. She offered considerably less, and, to her surprise, the image-man drew them from their wire stay and handed them over the stile. She clasped them as treasures.
When they were paid for, and the man had gone, she began to be concerned as to what she should do with them. They seemed so very large now that they were in her possession, and so very naked. Being of a nervous When temperament, she trembled at her enterprise she handled them the white pipe-clay came off on her gloves and jacket. After carrying them along a little way
