say it puts me out a bit to see her coom in, but she does na go out wi'out leavin' summat."
She made no pretense of bringing sympathy and consolation; she merely gave money, and money was an equivalent, and after all it was something of an event to have her carriage stop before the gate and to see her descend and enter in all her splendor. The general vague idea which prevailed was that she meant to be charitable after the manner of her order,—but that was a mistake too.
It happened at last that one day her carriage drew up before the house at whose window Murdoch's mother and Christian sat at work.
It was Saturday, and Janey Briarley, in her "cleanin' up" apparel opened the door for her.
"They're in th' parlor," she answered in reply to her question. "Art tha coom to see 'em?"
When she was ushered into the parlor in question, Mrs. Murdoch rose with her work in her hand; Christian rose also and stood in the shadow. They had never had a visitor before, and had not expected such a one as this.
They thought at first that she had come upon some errand, but she had not. She gave no reason for her presence other than she would have given in making any call of ceremony.
As she sat on the narrow sofa, she saw all the room and its meagerness,—its smallness, its scant, plain furnishing; its ugly carpet and walls; the straight, black dress of the older woman, the dark beauty of the girl who did not sit down but stood behind her chair, watching. This beauty was the only thing which relieved the monotony of the place, but it was the most grating thing she saw, to Rachel Ffrench. It roused within her a slow anger. She resented
