THE SECOND SCENE
The Empress's petit lever. The central doors are closed. Those who enter through them find on their left, on a dais of two broad steps, a magnificent curtained bed. Beyond it a door in the panelling leads to the Empress's cabinet. Near the foot of the bed, in the middle of the room, stands a gilt chair, with the Imperial arms carved and the Imperial monogram embroidered.
The Court is in attendance, standing in two melancholy rows down the side of the room opposite to the bed, solemn, bored, waiting for the Empress to awaken. The Princess Dashkoff, with two ladies, stands a little in front of the line of courtiers, by the Imperial chair. Silence, broken only by the yawns and whispers of the courtiers. Naryshkin, the Chamberlain, stands by the head of the bed.
A loud yawn is heard from behind the curtains.
NARYSHKIN [holding up a warning hand]. Ssh!
The courtiers hastily cease whispering: dress up their lines: and Naryshkin and the Princess solemnly draw them and reveal the Empress.
Catherine turns over on her back, and stretches herself.
CATHERINE [yawning]. Heigho—ah—yah—ah—ow—what o'clock is it? [Her accent is German.]
NARYSHKIN [formally]. Her Imperial Majesty is awake. [The Court falls on its knees.]
ALL. Good morning to your Majesty.