Reginald Graves stood in the centre of the platform, some of the leading spirits of St. Joseph's keeping a clear space so that the meeting between uncle and nephew might be dramatic. A more wretched-looking nephew of a millionaire uncle never existed.
Round him were scores of men with cameras, whom Graves instinctively knew to be newspaper men; and perched high above the crowd occupying important strategical positions he counted eight cinematograph cameras, each with its attendant operator.
St. Joseph's men had been good customers to a well-known London perruquier for false wigs, whiskers, and moustaches, with the aid of which an unlimited supply of "newspaper" and "cinematograph-men" had been produced.
Ignorant of all this, Graves groaned in spirit.
At four minutes past three the London train, amid a general buzz of excitement, steamed into the station. Pandemonium seemed to have broken out. Whistles shrilled, bugles blew, voices roared, and rattles added their share to the general uproar.
The passengers in the train were at first startled, and then became deeply interested. From the platform hundreds of eyes searched the opening carriage doors. Presently there was seen to alight a small man, dressed in a black-and-white check suit, with a pale grey homburg hat adorned with a white puggaree, a red tie,
