THE PRESBYTERY century copy of an earlier one. We notice overhead the stone vaulting, springing from Purbeck shafts; notice, too, the beauty of the mouldings and carved capitals, and the groups of arches forming the triforium with clerestory window above, which, however, only show between the ribs of the vaulting; and, then, the length of it! For now, by taking in two from the Angel Choir, the chancel has seven bays. It is a very striking view as you look eastwards, but it has the defect of a rather plain, low vaulting, and west of it the nave, which is a generation later, is more splendidly arranged, while east of it the Angel Choir, which is nearly half a century later than the nave, admittedly surpasses all the rest in delicacy and beauty. The choir vaulting being low, caused both nave and presbytery to be lower than they would otherwise have been, so that it has been said that when the tower fell it was a pity the chancel did not fall with it, all would then have been built with loftier roofs and with more perfect symmetry.
If we pass down the Ritual Choir eastwards, we enter the presbytery, and at once see the origin of the name "Angel Choir" in the thirty figures of angels in the spandrels. It was built to accommodate the enormous number of pilgrims who flocked to St. Hugh's shrine, and is, according to G. A. Freeman, "one of the loveliest of human works; the proportion of the side elevation and the beauty of the details being simply perfect," and it would seem to be uncontested that all throughout, whether in its piers, its triforium, its aisles, or its carved detail, it shows a delicacy and finish never surpassed in the whole history of Gothic architecture. One of its large clerestory windows was filled, in 1900, with excellent glass by H. Holiday, to mark the seven-hundredth anniversary of St. Hugh's death.
The angels sculptured in stone, and mostly carrying scrolls, fill the triforium spandrels in groups of three, five groups on either side. They are probably not all by the master's hand. The Virgin and Child in the south-west bay and the angel with drawn sword in the north-west seem finer than the rest. The stone inscribed in Lombardic letters "Cantate Hic," marks the place for chanting the Litany; this is chanted by two lay clerks. There are nine of these, one being vestry clerk; also four choristers in black gowns with white facings (a reminiscence of the earliest dress for the Lincoln choir, and a unique costume in England), eight Burghersh choristers or "Chanters" (lineal
