Palazzo Cornaro, on, across the heavily draped bridge that spanned the Grand Canal from the water-gate of "the palace, along the broad piazza crowded with a silent throng, and into the Church of the Holy Apostles, the funeral procession slowly passed. The service closed, and in the great Cornaro tomb in the family chapel, at last was laid to rest the body of one who had enjoyed much but suffered more—the sorrowful Queen of Cyprus, the once bright and beautiful "Daughter of the Republic."
Venice to-day is mouldy and wasting. The palace in which Catarina Cornaro spent her girlhood is now a pawnbroker's shop. The last living representative of the haughty house of Lusignan—Kings, in their day, of Cyprus, of Jerusalem, and of Armenia—is said to be a waiter in a French café. So royalty withers and power fades. There is no title to nobility save character, and no family pride so unfading as a spotless name. But, though palace and family have both decayed, the beautiful girl who was once the glory of Venice and whom great artists loved to paint, sends us across the ages, in a flash of regal splendor, a lesson of loyalty and helpfulness. This, indeed, will outlive all their queenly titles, and shows her to us as the bright-hearted girl who, in spite of sorrow, of trouble, and of loss, developed into the strong and self-reliant woman.
