II
THE BORGIAS AND THEIR LATEST HISTORIAN[1]
The Renaissance is the only epoch of history that has equal charms for idle and for thoughtful men, and stands in visibly intimate connection with the civilisation of the present time, yet beyond the range of its controversies. The interest it awakens is undisturbed by the contests that immediately followed it. Neither religious nor political differences affect the feelings with which men regard the age to which they owe the knowledge of Pagan, of Jewish, and of Christian antiquity, the formation of modern literature, and the perfection of art. The degradation which Italy suffered under native tyrants cannot prevent the pride with which she remembers the days of her national independence and her intellectual supremacy. Stores of new materials continue to be produced in uninterrupted profusion by patriotic scholars; and the way in which they modify the aspects of the fifteenth century is shown in several recent works. Zeller's Italie et Renaissance and Reumont's Geschichte der Stadt Rom mark the progress which has been made beyond the range of Roscoe and Sismondi. Both are well-written books, and the authors are perfectly familiar with the spirit of those brilliant times. Burckhardt's Cultur der Renaissance in Italien is the most penetrating and subtle treatise on the history of civilisation that exists in literature; but its merit lies in the originality with which the author uses common books, rather than in actually
- ↑ The North British Review, January 1871.
