146 HISTORY OF GREECE. rents and influence, had become passionately embarked in bitter and prolonged opposition to each other, such opposition was likely to conduct one or other to violent measures. Over and above the hopes of party triumph, each might well fear that if he himself continued within the bounds of legality, he might fall a victim to aggressive proceedings on the part of his antagonists. To ward off this formidable danger, a public vote was called for to deter- mine which of the two should go into temporary banishment, retaining his property and unvisited by any disgrace. A number of citizens, not less than six thousand, voting secretly and there- fore independently, were required to take part, pronouncing upon one or other of these eminent rivals a sentence of exile for ten years: the one who remained became of course more powerful, yet less in a situation to be driven into anti-constitutional courses, than he was before. I shall in a future chapter speak again of this wise precaution, and vindicate it against some erroneous interpreta- tions to which it has given rise ; at present, I merely notice its anal- ogy with the previous Solonian law, and its tendency to accomplish the same purpose of terminating a fierce party-feud by artificially calling in the votes of the mass of impartial citizens against one or other of the leaders, with this important difference, that while Solon assumed the hostile parties to be actually in arms, the ostracism averted that grave public calamity by applying its remedy to the premonitory symptoms. I have already considered, in a previous chapter, the directions given by Solon for the more orderly recital of the Homeric poems ; and it is curious to contrast his reverence for the old epic with the unqualified repugnance which he manifested towards Thespis and the drama, then just nascent, and holding out little promise of its subsequent excellence. Tragedy and comedy were now beginning to be grafted on the lyric and choric song. First, one actor was provided to relieve the chorus, subse quently, two actors were introduced to sustain fictitious characters and carry on a dialogue, in such manner that the songs of thu chorus and the interlocution of the actors formed a continuous piece. Solon, after having heard Thespis acting (as all the early composers did, both tragic and comic) in his own comedy, asked him afterwards if he was not ashamed to pronounce such false- hoods before so large an audience. And when Thespis answered
