we are engaged in, may be typified by the Indian allegory; and out of the commotion we make shall be drawn a new principle which shall be one of immortal growth to all society. (Stamping, cheers, and laughter).
As regards the differences between men and women, we say that out of them grows union, not separation. Every organ of the body is double; in the pulsations of the heart a double machinery is used, there is a double auricle and a double ventricle. It is so in the inspirations which flow from God to society; they must pass twice, once through the heart. of man, once through the heart of woman; they must stream through the reforming and through the conservative organ; and thus, out of the very difference which exists between man and woman, arises the necessity for their co-operation. It has never been asserted that man and woman are alike; if they were, where would be the necessity for urging the claims of the one? No; they differ, and for that very reason it is, that only through the action of both, can the fullness of their being find development and expression. We know that woman exerts an influence on man, as man does on woman, to call forth his latent resources. In the difference, we find a call for union. And to this union we perceive no limit; on the contrary, whatever necessity there is for the combination in the private, there is the same necessity for it in the public sphere. (Long continued stamping and cheers).
And now I will meet the two great objections made. It is not objectionable, it is said, that woman, in some spheres of life, should give an expression of her intellect; but, on the platform, she loses her character of woman, and becomes incidentally masculine. Just observe the practical absurdities of which society is guilty. The largest assemblies greet with clamors Jenny Lind, when she enchains the ear and exalts the soul with the sublime strain, "I know that my Redeemer liveth"; but when Mrs. Mott or Miss Brown stands with a simple voice, and in the spirit of truth, to make manifest the honor due to our Redeemer, rowdies hiss, and respectable Christians veil their faces! So, woman can sing, but not speak, that "our Redeemer liveth." Again, the great men of our land do not consider it unworthy of their character to take from Fanny Ellsler what she makes by the movement of her limbs, by a mere mechanical action,[1] to aid in erecting a column to commemorate our struggles for liberty. The dollars are received and built into the column; but when Mrs. Rose or Mrs. Foster, who feels the spirit of justice within her, and who has felt the injustice of the laws, stands up to show truth and justice, and build a spiritual column, she is out of her sphere! and the honorable men turn aside, and leave her to be the victim of rowdyism, disorder, and lawlessness! It is not out of character that Fanny Kemble should read Shakespeare on the stage, to large circles. The exercise of the voice on the stage is womanly, while she gives out the thoughts of another; but suppose (and it is not unsupposable) a living female Shakespeare to appear on a platform, and utter her inspirations, delicacy is shocked, decency is outraged, and society turns away in disgust! Such are the consistencies of the nineteenth century! (Great uproar).
- ↑ Fanny Ellsler danced for the Bunker Hill monument.
