IV
THE MESSAGE OF THE NIGHT
THE last of the transparencies died out; the dim and infrequent oil-lamps alone lit up the Street of the Fountain and St. Michael's Square. They revelled still down at the Hôtel de Paris, whither Max von Hollbrandt and a dozen others had hurried with the news of the evening's great event. But here, on the borders of the old north quarter, all grew still—the Golden Lion empty, the townsmen to their beds, the soldiers to barracks, full of talk and fears and threats. Yet a light burned still in the round room in the keep of Suleiman's Tower, and the Commandant's servant still expected his royal master. Peter Vassip, a sturdy son of Volseni, had no apprehensions—but he was very sleepy, and he and the sentries were the only men awake. "One might as well be a soldier at once!" he grumbled for the men of the hills did not esteem the Regular Army so high as it rated itself.
The Commandant lingered in the Street of the Fountain. Sergius Stefanovitch was half a Bourbon, but it was the intellectual half. He had the strong, concentrated, rather narrow mind of a Bourbon of before the family decadence; on it his training at Vienna had grafted a military precision, perhaps a pedantry, and no little added scorn of what men called liberty and citizens called civil rights. What
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