THE ARM-CHAIR AT THE INN
tion such rare spirits as Molière, Dumas, George Sand, Daubigny, as well as most of the litterateurs, painters, and sculptors of France, including the immortal Grèvin, many of whose drawings decorate the walls of one of the garden kiosks, and whose apartment still bears his name.
And not only savants and men of rank and letters, but the frivolous world of to-day—the flotsam and jetsam of Trouville, Houlgate, and Cabourg—have gathered here in the afternoon for tea in the court-yard, their motors crowding the garage, and at night in the Marmouset when, under the soft glow of overhead candles falling on bare shoulders and ravishing toilettes, laughter and merry-making extend far into the small hours. At night, too, out in the gardens, what whisperings and love-makings in the soft, starry air!—what seductive laughter and little half-smothered screams! And then the long silences with only the light of telltale cigarettes to mark their hiding-places!
All summer this goes on until one fine morning the most knowing, or the most restless, or the poorest of these gay birds of passage (the Inn is not a benevolent institution) spreads its wings and the flight begins. The next day the
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