THE ARM-CHAIR AT THE INN
and offered me the free part of the bench for a seat.
“I remained standing and broke out in protest. I abused the ignorance and jealousy of the people and of the juries—did everything I could, in fact, to reassure him and pump some hope into him—precisely what you did to your own author, High-Muck. I even agreed to pay in advance for the new statue I had ordered. I told him, too, that if he would come back to the country with me, I would make a place for him in an empty greenhouse, where he could work undisturbed. He only shook his head.
“‘What for?’ he answered—‘for money? I am alone in the world, and it’s of no use to me. I am accustomed to being starved. For fame? I have given my life to express the thoughts of my heart and nobody would listen. Now it is finished. I will keep them for the good God—perhaps He will listen.’
“A week later I found him sitting bolt upright in his chair under the skylight, dead. Above in the dull gloom hung a row of plaster models, his own handiwork—fragments of arms and hands with fists clenched ready to strike; queer torsos writhing in pain; queerer masks with hollow eyes. In the grimy light these
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