The Moth and the Star
overflow crowd outside the hall; his own name was already in every mouth, continually coupled with that of the world-renowned Hilda Bouverie. It did not deter the convict from elbowing his way through the mass that gloated over his deed exactly as they would have gloated over his destruction on the gallows. "I have my ticket; I have been detained," he told the police; and at the last line of defence he whispered, "A guinea for standing-room!" And the guinea got it.
It was the interval between parts one and two. He thought of that other interval, when he had made such a different entry at the same juncture; the other concert-room would have gone some fifty times into this. All at once fell a hush, and then a rising thunder of applause, and some one requested Stingaree to remove his hat; he did so, and a cold creeping of the shaven flesh reminded him of his general position and of this particular peril. But no one took any notice of him or of his head. And it was not Hilda Bouverie this time; it was a pianiste in violent magenta and elaborate lace, whose performance also was loud and embroidered. Followed a beautiful young barytone whom Miss Bouverie had brought from London in her pocket for the tour. He sang three little songs very charmingly indeed; but there was no encore. The
261