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Page:How a play is produced by Karel Čapek (1928).pdf/111

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THE FIRST NIGHT
 

the table. “Good morning, Clara,” he says sonorously, and then stops dead: “Good God! I ought to have said ‘Clara, something unexpected has happened to me,’ at once.”

Clara, meanwhile, is stuck stiff with fright: she has not had her cue. “Good morning,” she extemporizes in despair.

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