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Page:How a play is produced by Karel Čapek (1928).pdf/123

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THE FIRST NIGHT
 

disturbances, and it’s a wonder they don’t stick their noses on to the stage. The superfluous author squeezes himself through them and stands on tiptoe, for he wants to see what is taking place on the stage; but he hears instead the voice of a man in a blue overall:

“Lord! Isn’t it dull?”

“It’s much too long,” says another man.

“We shan’t get away before midnight.”

Bang! Some one has knocked over an

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