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Page:How a play is produced by Karel Čapek (1928).pdf/19

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THE FIRST BEGINNINGS
 

When this troublesome last act has been shortened, and altered two or three times, and the play has been finally accepted, there begins for the dramatist an awful period of waiting and general hanging around.KANCELÁŘE. KOUŘITI PŘÍSNĚ SE ZAKAZUJE! During this period he stops writing altogether, and

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