center of the sharp, or the loop of the flat, exactly correspond with this, as it should.
7.—The time signature need only be inserted where there is a change of movement. In common time there is a choice between the numeral signature "4
4" and the letter signature "C." The latter is the more interesting historically. Originally it was not a letter at all; the monks, who originated modern musical notation, called triple time "perfect" in honor of the Blessed Trinity, and represented it with the sign of perfection a circle: common, or quadruple time, they called imperfect, and cut a slice out of the right-hand side of the circle to represent imperfection. This printers, not unnaturally, mistook for the initial letter of "Common Time." But the numeral signature is rapidly superseding this, as showing the exact value of a measure, and being in accordance with the signatures of all other kinds of time.
Notation of Rhythm.8.—Following the time-signature come the notes. The guiding principle in writing these is that their right interpretation shall be apparent to the eye. Two points are of paramount importance. These are (1) the selection of the right characters (this of course only affects those who are writing original compositions or arrangements, not
