sence of any note, that a rest is intended, he can only guess how long it will prove to be when it does come. Therefore, in the writer's opinion, rests should be located on the same principle as notes. If it be not a profanation to say so, since would have been better placed at the beginning of the measure. Let a sheet of paper be held over the right half of the measure, and though the player will be able to begin, he will not know in how many parts the piece is written.
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16.—In open score, that is, in writing a single melody or part on one stave, it is usual to make whole note rests below the fourth line, and half note rests above the third. Quarter note rests should be written exactly in the middle of the stave. The crook of eighth note rests, and the upper crook of shorter rests, is generally placed in the third space, in the absence of any reason to the contrary. The stems of rests are, in manuscript music especially, better slanted somewhat. This helps to distinguish them from
