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APPAREL
APPARITIONS
33
1

He was a wight of high renowne,
And thosne but of a low degree:
Itt's pride that putts the countrye downe,
Man, take thine old cloake about thee.

Thomas PercyReliques. Take thy Old Cloake about Thee.


2

My galligaskins, that have long withstood
The winter's fury, and encroaching frosts,
By time subdued (what will not time subdue!)
An horrid chasm disclosed.

John PhilipsThe Splendid Shilling. L. 121.


3

The soul of this man is his clothes.

All's Well That Ends Well. Act II. Sc. 5. L.45.


4

Thou villain base,
Know'st me not by my clothes?

Cymbeline. Act IV. Sc. 2. L. 80.


5

Costly thy habit as thy purse can buy,
But not express'd in fancy; rich, not gaudy;
For the apparel oft proclaims the man.

Hamlet. Act I. Sc. 3. Line 70.


6

See where she comes, apparell'd like the spring.

Pericles. Act I. Sc. 1. L. 12.


7

So tedious is this day,
As is the night before some festival
To an impatient child, that hath new robes,
And may not wear them.

Romeo and Juliet. Act III. Sc. 2. L. 28.


8

With silken coats, and caps, and golden rings,
With ruffs, and cuffs, and farthingales, and things;
With scarfs, and fans, and double change of bravery,
With amber bracelets, beads, and all this knavery.

Taming of the Shrew. Act IV. Sc. 3. L. 55.


9

He will come to her in yellow stockings, and 'tis a color she abhors; and cross-gartered, a fashion she detests.

Twelfth Night. Act II. Sc. 5. L. 216.


10

Her cap, far whiter than the driven snow,
Emblem right meet of decency does yield.

ShenstoneThe Schoolmistress. St. 6.


11

Now old Tredgortha's dead and gone,
We ne'er shall see him more;
He used to wear an old grey coat,
All buttoned down before.

 Rupert Simms, at beginning of list of John Tredgortha's works in Bibliotheca Staffordiensis. (1894)
(See also Greene)


12

She wears her clothes as if they were thrown on her with a pitchfork.

SwiftPolite Conversation. Dialogue I.


13

Attired to please herself: no gems of any kind
She wore, nor aught of borrowed gloss in Nature's stead;
And, then her long, loose hair flung deftly round her head
Fell carelessly behind.

TerenceSelf-Tormentor. Act II. Sc. 2. F. W. Ricord's trans.


14

So for thy spirit did devise
Its Maker seemly garniture,
Of its own essence parcel pure,—
From grave simplicities a dress,
And reticent demureness,
And love encinctured with reserve;
Which the woven vesture would subserve.
For outward robes in their ostents
Should show the soul's habiliments.
Therefore I say,—Thou'rt fair even so,
But better Fair I use to know.

Francis ThompsonGilded Gold. St. 2.


15

O fair undress, best dress! it checks no vein,
But every flowing limb in pleasure drowns,
And heightens ease with grace.

ThomsonCastle of Indolence. Canto I. St. 26.


16

Her polish'd limbs,
Veil'd in a simple robe, their best attire;
Beyond the pomp of dress; for Loveliness
Needs not the foreign aid of ornament,
But is, when unadorn'd, adorn'd the most.

ThomsonSeasons. Autumn. L. 202.
(See also Ariosto)


17

She's adorned
Amply, that in her husband's eye looks lovely,—
The truest mirror that an honest wife
Can see her beauty in!

John TobinThe Honeymoon. Act III. Sc. 4.


18

How his eyes languish! how his thoughts adore
That painted coat, which Joseph never wore!
He shows, on holidays, a sacred pin,
That touch'd the ruff, that touched Queen Bess' chin.

YoungLove of Fame. Satire IV. L. 119.


19

Their feet through faithless leather met the dirt,
And oftener chang'd their principles than shirt.

YoungTo Mr. Pope. Epistle I. L. 283.


20

La ropa no da ciencia.

Dress does not give knowledge.

YriarteFables. XXVII


APPARITIONS

21

Great Pompey's shade complains that we are slow,
And Scipio's ghost walks unavenged amongst us!

AddisonCato. Act II. Sc. 1.


22

Who gather round, and wonder at the tale
Of horrid apparition, tall and ghastly,
That walks at dead of night, or takes his stand
O'er some new-open'd grave; and, (strange to tell!)
Evanishes at crowing of the cock.

BlairThe Grave. L. 67.