death, the reader has no objection to offer. If Achilles be the hero of the poem, the poet has not succeeded in obtaining for him either our good opinion or our good wishes. In the fortunes of Hector, however, whose temper is noble and generous, who while grieving at the crime of Paris defends his country with all his valor, whose charactei is as gentle and affectionate as it is spirited and manly, it is impossible for the reader not to feel a strong interest. The last book of the Iliad relates the recovery of his dead body from the Greeks, and the celebration of his funeral in Troy. In this book, also, the character of Achilles appears less unamiablc, since he grants the rites of hospitality to Priam, and is persuaded by his entreaties to restore, for a princely ransom, the dead body of Hector, contrary to his first resolution. It is to be observed, however, that he is moved to this, not by his own native magnanimity, but by considerations which indirectly relate to himself, that is to say, by being artfully led to think of his own father, Peleus, an aged man like Priam, anxiously waiting in his distant palace for the return of his son from the war, and fearing that he may never behold him again. Once in the interview with Priam the fierce and brutal nature of Achilles breaks out in threats, which terrify the old king into silence. Priam is himself warned by the gods that he is not safe in remaining overnight in the tent of Achilles, and, lest he should not be protected from the ferocity of Agamemnon, with draws by stealth in the darkness and returns to Troy.
I have no answer to make to those who regard it as a blemish in the great work of Homer that he represents the gods in their dealings with men as governed, for the most part, by motives either mean and base, or frivolous and childish. In the Trojan war everything happens by their direction or their prompting. In the sys-
