always a fresh pleasure. She knew all the songs that have ever been sung, from the war-songs of the South that make the old men angry with the young men and the young men angry with the State, to the love-songs of the North where the swords whinny-whicker like angry kites in the pauses between the kisses, and the Passes fill with armed men, and the Lover is torn from his Beloved and cries, Ai, Ai, Ai! evermore. She knew how to make up tobacco for the huqa so that it smelt like the Gates of Paradise and wafted you gently through them. She could embroider strange things in gold and silver, and dance softly with the moonlight when it came in at the window. Also she knew the hearts of men, and the heart of the City, and whose wives were faithful and whose untrue, and more of the secrets of the Government Offices than are good to be set down in this place. Nasiban, her maid, said that her jewelry, tied up in dirty rags and old tin cake boxes, was worth ten thousand pounds, and that, some night, a thief would enter and murder her for its possession; but Lalun said that all the City would tear that thief limb from limb, and that he, whoever he was, knew it.
So she took her sitár and sat in the window-seat and sang a song of old days that had been sung by a girl of her profession in an armed camp on the eve of a great battle—the day before the Fords of the Jumna ran red and Sivaji fled fifty miles to Delhi with a Toorkh stallion at his horse's tail and another Lalun on his saddlebow. It was what men call a Mahratta laonee, and it said:—
Their warrior forces Chimnajee
Before the Peishwa led,
The Children of the Sun and Fire
Behind him turned and fled.
And the chorus said:—
With them there fought who rides so free
With sword and turban red,
The warrior-youth who earns his fee
At peril of his head.
