cage. It does, however, like many other things else in Seoul, bear witness to the life of the past and the changes of the present.
The marble pagoda is at the same time the most notable existing monument of Buddhism in Korea and the most interesting art-object in Seoul. It came, however, from abroad ; tradition connects its gift with a Mongol princess who, after the death of Kublai Khan, came to Korea in 1310 to become the queen-consort of King Chung-sun. It was brought in a junk from China and at first erected in the grounds of a temple in the little town of Hanyang the predecessor of Seoul on the same site; for the capital of the present dynasty was not then built. The temple grounds were beautified in its honor; roads were constructed leading to it; and a bridge was built over a stream running near by. But the Korean inevitable happened to it — the fate meted out to all that shows signs of order, industry, or art, when not of immediate selfish interest to the rulers of Korea. The roads, encroached upon by surrounding hovels, became foul and narrow alleys; a squatter built his straw-thatched hut about it; and the stream became the main sewer of the city, which is cleaned only by the downpour of the summer rains. Thus, as says our chronicler: "The gift to Korea of one of the mighty Mongol Khans, whose arms had literally shaken the world, became the impedimenta of a Korean coolie's backyard, sixteen by twenty feet square!" What wonder, however, in a land where court officials and palace hangers-on do not hesitate to-day to steal the screens, and other presents from foreign monarchs and plutocrats, out from under His Majesty's very eyes![1]
- ↑ This may seem incredible, but it is a fact that, as late as the spring of 1907, even a basket of fruit could not be sent to the Emperor with the confidence that the eunuchs and palace servants would not steal it all. At every garden-party the dishes and even the chairs had to be carefully watched.
