from a blind that are photographically as good as are ever likely to be taken.
Then came the first of the moving-picture hunters. The first success was the film called "The Water Hole" taken by Mr. Lydford, who was temporarily the photographer of Paul Rainey's expedition. Although it is not photographically as good as some of the later ones, it was a remarkable achievement, as all who saw it will testify, especially when they realize that this was Mr. Lydford's first experience in making motion pictures and that his equipment was not as good as equipment is now. The film had a deservedly popular run. Like all such films it was arranged for public exhibition by piecing together parts taken on different occasions, so that the audience gets in one crowded hour the fruits of weeks and months of painstaking effort.
The next successful moving picture that I know of was taken on the expedition of Lady Grace McKenzie. It has in it the very remarkable piece of film showing a charging lion. The lion almost got the operator and ended the picture but fortunately both escaped. This reel has never been extensively shown.
After this came a film made by James Barnes and Cherry Kerton which was shown with a lecture and not, as was Rainey's, by itself. That was nearly the whole roll call until 1922 when two men came back with films. The first to reach New York was a film made by H. A. Snow. It was shown at the Lyric Theatre and had a great success for which I am person-
