A Passional Karma
.svg)
One of the never-failing attractions of the Tōkyō stage is the performance, by the famous Kikugorō and his company, of the Botan-Dōrō, or “Peony-Lantern.” This weird play, of which the scenes are laid in the middle of the last century, is the dramatization of a romance by the novelist Enchō, written in colloquial Japanese, and purely Japanese in local color, though inspired by a Chinese tale. I went to see the play; and Kikugorō made me familiar with a new variety of the pleasure of fear.
“Why not give English readers the ghostly part of the story?”—asked a friend who guides me betimes through the mazes of Eastern philosophy. “It would serve to explain some popular ideas of the supernatural which Western people know very little about. And I could help you with the translation.”
